Issue 145
Winter & Spring 2014
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Welcome to the new TriQuarterly. In addition to the most recent issue and featured content, our homepage now features The Latest Word, a new component designed to keep you up to date with the latest TQ content while providing deeper integration with all of our social media outlets. Additionally, the What’s New page features an infinite scroll of TQ content. Our responsive new design includes upgraded functionality on mobile devices, enhanced audio and video presentation, and improved search functions to promote streamlined content interaction. We’re also expanding our Past Issues section and presenting digitized selections from our rich print archive. We open with TriQuarterly 116, the New Pastoral issue, guest edited by John Kinsella and Susan Stewart. We’ll be adding content regularly, so please check back for updates. We thank our media architect, Harlan Wallach, and his team of technical advisors, Nick Gertonson, Alex Miner, and Rodolfo Vieira, who have designed and built our beautiful new home. We hope you will enjoy exploring the new site, where you’ll continue to find bright, new work from both established and emerging voices.
This issue features compelling new short stories from Chitra Banerjee Divakaruni, John Dufresne, and Ron Rash, and an excerpt from Zimbabwean author Tsitsi Dangarembga’s forthcoming novel, Chronicle of an Indomitable Daughter. We have new poems from Kwame Dawes, Timothy Liu, and Beth Bachmann, along with creative nonfiction from Rilla Askew, Garry Cooper, and Bonnie Nadzam. We are also excited to share three new works of cinepoetry, and a group of poems curated by Mary Hawley of Chicago’s Palabra Pura poetry reading series.
We couldn’t be happier to share Issue 145 and the new site with you. Enjoy the work, and, as always, thank you for reading TriQuarterly.
Cheers,
Matt Carmichael
Managing Editor: Matt Carmichael
Assistant Managing Editor: Dan Schuld
Faculty Advisor: Susan Harris
Literary Editor: S.L. Wisenberg
Director of Planning: Reginald Gibbons
Media Architect: Harlan Wallach
Technical Advisors: Alex Miner, Rodolfo Vieira, Nick Gertonson
Copy Editor: Lys Ann Weiss
Undergraduate Intern: Erik Tormoen
Fiction Editors: Carrie Muehle, Dan Schuld, Ankur Thakkar, Stephanie Tran
Nonfiction Editors: Michelle Cabral, Karen Zemanick
Poetry Editor: C. Russell Price
Social Media Editor: Ankur Thakkar
Staff: Ignatius Aloysius, Ish Harris-Wolff, Ahsan Awan, Rebecca Bald, Jen Companik, Jim Davis, Aaron DeLee, Jesse Eagle, Adrienne Gunn, Beth Herbert, Noelle Havens, Alex Higley, Sarah Hollenbeck, Nath Jones, Jen Lawrence, Adam Lizakowski, Marina Mularz, Amber Peckham, Lydia Pudzianowski, Nate Renie, Mark Rentfro, Paula Root, Tara Scannell, Michi Smith, Travis Steele, Megan Sullivan, Myra Thompson
Image from War Movie
[la desnudez es la materia del desborde]
la desnudez es la materia del desborde
de tu boca llena de pájaros
pueblo despojado decir pueblo es ponerse en peligro
una navaja en la lengua
Metapoética I
(tantas tercas palabras que repito y repito)
A tenor de todas estas soledades acumulativas
¿qué ámbitos aducen, qué argumentan
tantas tercas palabras que repito y repito?
Náufragos: Homenaje a Boat People
a Mayra que me hizo llorar con su poema
Más mar el mar
y más muerte la muerte desde sus orillas
20 Ulises
y una misma añoranza que estalla bajo el agua
20 claveles rojos
Consecuencia del decir es el decir (monólogo quijotesco)
Consecuencia del decir es el decir
a pesar de la redundancia Sancho
que hay situaciones que sólo las puede crear el lenguaje
yo te puedo decir ahora por ejemplo
I am the Perfect Mexican Son
I can
shoot a coin
fixed to a tree
with sap, restrain
a pig by the corner
of its eye socket,
una mujer de grandes recursos
una mujer de grandes recursos, yo
maraca que sacude sus semillas secas en esquinas
de guetos y cafetines fetiches desfigurando el alfabeto
porque no me queda otra vía para llegar
Venga a nosotras tu reino
En esta casa sin hombres no conocemos los privilegios del libre albedrío. Las tareas se dividen democráticamente en el calendario. No hay espacio para cambios ni discusiones; a todas nos toca sudar la supervivencia.
another day, another vow never again to discuss politics on Facebook
When I’m doing it right, this life
is sweeter and more lethal
than I could ever have imagined.
It's good to know how to be hated
grand re-opening of the nostalgia factory shut down for dangerous working conditions (it’s my birthday)
It’s my birthday and I don’t want to go anywhere
with you. Two years ago
someone proposed to me on this day, saying
Journey Man
1
The old jazz man at the Crawford Grill sits
at the back of the club; three o’clock
in the day, just killing time. He spits
on the sun-cooked concrete. “Hell,”
he says, “Look at that.” He points
Cobbler Under the Raintree
The slums flood this morning,
pandan, typhus, & what collapses DNA
overwhelming the barricades.
Under his tree, tools in rough orbit,
Profession
I remember the warp of
trees on the windshields
of cars passing through
the masculine cemetery.
[Barnabas Collins steps through a secret panel]
From Book 2 of The Complete Dark Shadows (of My Childhood)
Barnabas Collins steps through a secret
panel in the wall of Josette’s bedroom:
proof for me in 1968 that a vampire
lived inside the walls of my own house;
Swift Perpetua
Love, I’ve thought up how we should die.
Consider the ancient froghoppers
just unearthed in fossil form, winged,
doubled, held in stone for as many years
Remove All Dads
Dying is such an irresponsible thing for a father to do.
People do not laugh at our dead dad jokes.
Dying is easy, but comedy is hard.
You make art about elision and absence,
the unsayable and the image erased.