another day, another vow never again to discuss politics on Facebook

When I’m doing it right, this life
is sweeter and more lethal
than I could ever have imagined.
It's good to know how to be hated

and keep dancing. How to listen
when the dogs stop barking. I don't know
how you could trust anyone who's never

been lost inside their own body, their own
hands becoming buckets, the kind kittens
and toddlers drown in if you look away

for even a minute. But I don't know you.
Everything you say sounds like
candy wrappers opened in an otherwise
silent theater. A cough at the opera

on repeat, so I can't hear the aria
Marian Anderson is singing through the fire.
I’ve never been on fire, and I doubt

you have either, but I know
a thing or two about smoke
in the rearview, a thing or eight

about walking through a neighborhood
where nobody sings like me
or they want the song under my coat so bad
they stick the moon in their throats

and call down the streetlights, call out
the names they learned from their fathers for love's
facsimiles and expect no answer but are still enraged

at the silence, at my fast clasped coat. Marian
Anderson knew notes that could make dogs
and angels halt on the sidewalk but the Daughters

of the American Revolution saw only
the fire. Saw only the possibility of drowning
if they opened their hands. What scares you
now? How do you dream through all the howling? 

 
Marty McConnell

Marty McConnell lives in Chicago, where she works for a youth and family center. She received her MFA from Sarah Lawrence College, and her work has recently appeared in A Face to Meet the Faces: An Anthology of Contemporary Persona Poetry; City of the Big Shoulders: An Anthology of Chicago Poetry; Gulf Coast; Indiana Review; Crab Orchard; Salt Hill Review; Beloit Poetry Journal, and others. Her first full-length collection, “wine for a shotgun,” was published in 2012 by EM Press.

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grand re-opening of the nostalgia factory shut down for dangerous working conditions (it’s my birthday)