Issue 162
Summer & Fall 2022
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So much has happened in the six months since our last issue, though I could say this about every TriQuarterly issue I’ve been a part of.
Living through an important historical era is exhausting. I must address our neighbors in Highland Park who are among the most recent victims of gun violence; it is unlikely they will be the last, unless there is a sweeping change of regulations. It does not seem like a priority in the American political system, where our court is more concerned with restricting access to reproductive healthcare. Meanwhile, inflation is rising, as are global temperatures. I can’t shake the feeling that I’ve experienced all of this already. Through it all, our TriQuarterly team has edited an issue that speaks to our present, with a conversation to the past.
In the last few years things seem to have sped and slowed simultaneously. In Kelly Magee’s “ripped from the headlines” story, “Florida Girl Kidnaps Girl from Hospital Waiting Room,” she writes, “Ever since her emergency, Mary’s age has been fractured, some strands becoming ever younger, some skipping ahead whole decades, some frozen in place. Maybe age is always like that, and she just didn’t notice it before.”
We can look at the past with a critical eye and ever aging wisdom, or accept our seeming naïveté was bliss. These aren’t mutually exclusive, as portrayed in Dorsey Craft’s poem “When You Are Fifteen,” which recounts a young love, idealistic and passionate, while waiting in a deer stand. Adam Clay writes, “Another name for nostalgia, / some kind of traffic / from yesterday…” in his poem “Creation Story.”
How can one learn if we’re doomed to repeat? I suggest taking Amanda Krupman’s advice in her essay “Distortion,” “Commit these facts to memory and call on them when it storms.” This is a classic question of the human condition, as exemplified in Elizabeth Arnold’s new translation of the tenth-century text “The Wanderer,” in which the narrator laments his current state, “Alas the time gone, / slipped under / night’s curtain / —as if it had never been!” It’s still relevant one thousand-plus years later.
We could call it reflection, or nostalgia, or even aging. Whatever it is, the works featured in Issue 162 look back to get ahead.
—Joshua Bohnsack
Managing Editor: Joshua Bohnsack
Assistant Managing Editor: Kayla Kumari Upadhyaya
Faculty Advisor: Susan Harris
Director of Planning: Reginald Gibbons
Film Editor: Sarah Minor
Fiction Editors: Vanessa Chan, Jennifer Companik, Laura Joyce-Hubbard, Emily Mirengoff, Mariah Rigg
Nonfiction Editor: Starr Davis
Poetry Editor: Daniel Fliegel
Copy Editor: Lys Ann Weiss
Technology Director: Ken Panko
Technical Advisors: Rodolfo Vieira, Natalie Roman, Garrett Gassensmith
Staff: Ally Ang, Amanda Dee, Ashton Carlile, Christopher Lombardo, Corey Miller, Ellen Hainen, Emma Fuchs, Erika Carey, George Abraham, Gillian Barth, Grace Musante, Ivis Whitright, Jackson McGrath, Jameka Williams, Jonathan Jones, Katana Smith, Laurie Thomas, Liz Howey, Lydia Abedeen, Marissa Higgins, Marssie Mencotti, May Dugas, Megan Sullivan, Michaela Ritz, Michele Popadich, Morgan Eklund, Nimra Chohan, Patrick Bernhard, Prince Bush, Puck Orabel, Rebecca van Laer, Salwa Halloway, Susan Lerner, Suzanne Scanlon
Image from Never Not a Poet
Dear Austin,
After you died but before we buried you, during all the confusion, a fly infiltrated our house. Each comforting couch guest would mount their tears and launch into the death wake only to have their head harassed by the fly.
At the Park on the Edge of the Country
If you’re wearing a tee we would call vintage nowadays
perhaps with a pop star or soda brand brandished
across the chest, waiting with your brother-in-law
Mexican in the Meadow
I watered a wilting succulent.
The sun had begun
to disappear behind
the apartments across the street.
On Vocation
Someone asked if I served God
or mammon and I said
I’d go back and name the animals
if that could be allowed, slip among
Among the Nouns at the Apocalypse
Starlight and empty sidewalks, closed storefronts and cicadas,
when did I first define solitude as standing adjacent to objects
without touching? The streetlamps sputter Luna moths akimbo,
a frantic arousal, their rinse of wings.
Landscape with Preterm Labor
I thought my body
a thick hearty thing, a big-
horn sheep perched in a crag
of rock, an elk
Letter to Another Immigrant Daughter
for Sarah Ghazal Ali
Days unclear, filled with sun. The flicker of another
life coming for me. Rushing
makes an imprint—bruised knees. Time purpling
the rhododendron. Near summer,
The Wanderer
Translated out of the Old English, The Exeter Book, 10th c.
Often for this one,
alone, lost,
suffering lasts
god help me
Creation Story
Another name for nostalgia,
some kind of traffic
from yesterday, the way an argument
finds a nerve you didn’t think could exist,
The World Will Make Outsiders of Us All If We Let It
I’m blood-hungry for touch,
ferocious in the body,
ferocious in my bones.
Prelapsarian
For Joshua
My nephew is uncoiling
a green garden hose
to sew the spring
together.
When You Are Fifteen
You meet a boy that gives you
reading assignments, leaf through Candide
and Slaughterhouse Five and 1984, biographies
of Morrison and Cobain and Clapton.
How to Have Sex in Your Thirties (Or Forties)
Only way is to fuck
like you’re stalling
the body’s departure
from doing
Skin like Garlic
My grandmother had a list of things I couldn’t do. It was not a real list with faded ink on yellowed paper that she pulled out of an old, rusted briefcase, but a directory of interruptions, a bunch of dos and don’ts that, like speed bumps, stopped me from living freely.
Florida Girl Kidnaps Girl from Hospital Waiting Room
The emergency goes on, but no one believes her about it anymore. Mary waits in the ER waiting room every Thursday from noon—the elementary school’s early release hour—until the end of her mom’s shift at the coffee cart, one floor up.
From Birth to Bone
The first dead body my son sees is a cat’s. It was in his favorite parking lot. Since the stay-at-home orders were put in place when the pandemic started, we no longer feel safe at Lindale Park, so we come here—the rough asphalt parking lot of St. Luke’s.