Marcescence

What if death wasn’t easy. The bathtub, full of liquor. 
At some point, the arrows on the weathervanes
all point to another world. We should want to break,

not bend, I’ve read, but the boy broken over ice
in an ice-bath is as lost as the air that trembles
his lashes. Accountability often looks like kids standing

on one side of a locked door. The sound of running
water. The bank drafts my dying brother called
promises. Somehow, I want him to stand ungrateful with me. 

The leaves have held on this long. A dream retained
as the body retains a compass. A yield sign
doesn’t stop anything from leaving. The streets,  

abandoned again. Tell me how to lose someone
who didn’t know he was lost. He’d already quit cocaine 
and food, his eyes swollen to shelters. Why bother 

with love? It snowed overnight. The snow’s hush,
revolutionary. Estranged is water, midwinter.
I have no idea what any of this means.

 
Chelsea Dingman

Chelsea Dingman's first book, Thaw, was chosen by Allison Joseph to win the National Poetry Series (University of Georgia Press, 2017). Her second poetry collection, Through a Small Ghost, won The Georgia Poetry Prize and is forthcoming from the University of Georgia Press (February, 2020). She is also the author of the chapbook, What Bodies Have I Moved (Madhouse Press, 2018). Her work is forthcoming in The Kenyon Review, The Iowa Review, and The American Poetry Review, among others. Visit her website: chelseadingman.com.

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Split the Lark & You Will Find the Music

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from HOMOSEXUAL PANIC: William Simpson, 1954