Training

When we part the brush and rush the bank 
the bodies bob faceup and facedown 
in the mountain stream like apples 
in a Halloween game. Our headlamps paint 
skin bluer than it really is, but it’s blue. 
Holding the neck of who’s closest we lift her
to the shore. I start my ABCs. Thanks 
to the frigid water half her symptoms 
are real. For the other half she whispers 
answers to me. In five minutes we have 
all the victims on land, even the one 
who proclaims himself dead. I represent 
mouth-to-mouth by pinching her nose 
and saying breathe. I know it’s wrong, 
but I sneak peeks at the fullness of her 
lips, their dark hue. I pinch. I say breathe
We’re doing all this because that boy 
drowned and might’ve lived if 
his family had had the right training. 
She tells me she’s breathing again. 
I take her pulse. It’s weak and thready, 
she whispers. I pretend I’m ripping off 
her clothes and wrapping her in blankets. 
When she comes to, she doesn’t have to 
whisper anymore. In her normal voice she asks 
what happened, though this too is scripted.

 
Anders Carlson-Wee

Anders Carlson-Wee is the author of The Low Passions (W.W. Norton, 2019). He has received fellowships from the National Endowment for the Arts, the McKnight Foundation, Bread Loaf, the Sewanee Writers’ Conference, and the Napa Valley Writers’ Conference. His work has appeared in The Nation, The Kenyon Review, Tin House, Ploughshares, BuzzFeed, Best New Poets, andThe Best American Nonrequired Reading. His chapbook, Dynamite, won the Frost Place Chapbook Prize. He is codirector of the award-winning poetry film, Riding the Highline, and winner of Ninth Letter’s Poetry Award, Blue Mesa Review’s Poetry Prize, New Delta Review’s Editors’ Choice Prize, and the 2017 Poetry International Prize. He lives in Minneapolis.

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