This Is How I Imagine the Rapture

On the metro escalator
and you just keep going up
but at the top there’s a

starburst, a cloud
of smoke, and an all-knowing
jellyfish god who tucks folks

one by human-scented one,
into a tentacled cape. For example:
him. That guy. If there’s a good way

to haul a double bass,
he hasn’t found it yet,
but in the hereafter he’ll be glad

he was lugging
such a thing as that. And now
the mime may have eternity

to perfect the moment
where he jerks up his invisible,
sparkling fish. Such are the cosmic

perks for those
who deigned this day
to take, with others

of their species, a train.
Those running? Powering up
the metal teeth in suits? At whom

we’ve always sort of
laughed a little? They go 
faster than the rest. And the young?

Attached and plumbing
the contours of each other’s
uvulas? They go, too. Doing

just that, just that
before love gets crowded with
its own fetid fruits. The late night

stragglers are raptured last
leaving behind their final silver words
on earth’s longest revolving handrail. 

 
Sarah Wolfson

Sarah Wolfson is the author of the poetry collection A Common Name for Everything (Green Writers Press, 2019). Her poems have appeared in Canadian and American journals including The Fiddlehead, AGNI, TriQuarterly, PRISM international, and West Branch. She holds an MFA from the University of Michigan. Originally from Vermont, she now lives in Montreal, where she teaches writing at McGill University. 

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