Directive

You want to stop the car.
To not proceed any further

into the place you have been
and the place you continue to go.

The place changes—
sometimes a lover or a bar

you frequented when you were young
and less tired, back when you didn’t

look in the rearview mirror
and find your cheeks sunken,

your eyes weary and lined.
At one time, the place

was a boat landing and the desire
to drink up the moon, to swallow it

like an ice-cube in diet-soda night,
your tongue fizzy and blundered.

Like a migratory bird, you always
know the place and to find it

when your belly crawls up to your throat.
It never knocks. Refuses.

Tells you: take a narrow
stretch of road, one peppered

with rusty mailboxes
and half-assembled cars.

Seek dandelions or buttercups;
it makes no difference.

A soy field will do. Drive
until no one knows

where to find you, even the one
that loves you and waits.

Park where you feel nervous,
someone’s driveway or an abandoned

factory,  until you want
to turn around, taking yourself with you.

 
Jennifer Raha

Jennifer Raha recently graduated from UNC Greensboro’s MFA program.  Her poems have been published or are forthcoming in the WomenArts Quarterly Journal, DASH, and The Santa Clara Review. Jennifer currently teaches at Old Dominion University in Virginia.

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