Issue 139
Winter & Spring 2011
-
Welcome to the second issue of TriQuarterly Online. In the months since we launched, we've attracted an enthusiastic audience from around the world, and can boast visitors from over a hundred countries on six continents. In this and every issue you'll find outstanding new fiction, creative nonfiction, and poetry, plus book reviews, interviews, commentary, and a lively blog. The electronic format also allows us to present work from TriQuarterly's extensive print archives. We look forward to receiving your comments and responses at triquarterlyonline@northwestern.edu.
Managing Editor: Dana Norris
Faculty Advisor: Susan Harris
Technical Advisor: Matt Wood
Copy Editor: Ruth Goring
Graduate Fellow: Ari Bookman
Book Review Editor: Charles Berret
Fiction Editors:Danielle Burhop, Tien (Mimi) Nguyen, Ankur Thakkar, Stephanie Tran
Nonfiction Editors:Charles Berret, Sarah Hollenbeck, Dana Norris
Poetry Editors: Aaron DeLee, Lana Rakhman
Staff: Emily Ayshford, Alex Bergstrom, Allison Bletnitsky, Alana Buckbee, Jen Companik, Katherine Defliese, Schuyler Dickson, Ann Gadzikowski, Cathy Gao, Barbara Ghoshal, Dane Hamann, Noelle Havens, Tedd Hawks, Beth Herbert, Sarah Jenkins, Sarah Kalsbeek, Jen Lawrence, Kevin McFarland, Erin McNulty, Sambath Meas, Ashley Mohney, Hana Park, C. Russell Price, Vanessa Bates Ramirez, Paula Root, Misty Shelley, Virginia Smith, Leah Struass, Megan Sullivan, Matt Tzuker, Elizabeth Winkowski, Karen Zemanick
Complexion
He’s festered with hives and celibate,
a sorry-ass anchorite holed up in a condo,
peevishly enduring the failings of his flesh.
At first, he blamed the pills he popped
A Body in Motion
In this compact piedmont coal town, a hospital,
a walk-in wedding chapel, and a funeral home
are all within a half-mile radius of steep-grade roads,
and you can get on a bicycle outside the maternity ward,
Old Bitch and Bone
He envied his dog her bone, the way she shook
and damn near shat while she sat, expectant,
waiting to clamp and tooth it in the weeds,
the way she cracked the shaft and fanged the fat,
Come, let me love you
When you doze into late afternoon,
propped and pillowed like an exhausted child,
baleful billows from open windows;
when you no longer walk with me by the river,
by sinews of ink and willows
Ophelia’s Flowers
After the opera Hamlet by Ambroise Thomas
Something’s very wrong
when a girl begins to sing—
loudly, lowly—
hauntingly dispersing posies
Homage to Messiaen
Click, click, click.
My husband picked them off
with his camera
as they were flying
across the sky to reach
sundown’s reddened roosts:
Italian for You
cooking for Antonio
Some give up their skins
easily, but you slipped
a gourd, glanced sideways
at the past, welled up like a gorge
Deconstruction Workers
I find you under the holly, become
a Christian sprig, I admit,
but then there is
a conversion of berries
into a kind lightning rod
other people’s poems
that kid in the green asked me about
sandcastles
so i placed him in the morning
The criminal is young and impossible
There was a death in the park and the men came running after it, their legs mysterious with speed, and
circling like weather they found him hard-packed on the dirt in the clearing near the fountain. His eyes
were utensils, strict and sharp. The men upset the dry ground clockwise, heads low in disguise.
The criminal is young and invisible
I turned to the boy with the camera and asked him for his neck
but his neck was very busy and his blue hair was an advertisement
for rejection. So I kept on breathing his air like a desiccant
drawing the lines in, blowing up in a shrinking space. I was
The criminal is young and imaginary
Look at the grapefruit falling
apart he has none of his own
money and may never have been
in love the grapefruit rounding
the corner halved and unadorned
losing the train. Homebody.
My Nymphomaniac
Once when I was too young to know any god
damn thing about women I stood in the
alley with one Karen Mendez who
told me she was a nympho and who said she