Come, let me love you

When you doze into late afternoon,
propped and pillowed like an exhausted child,
baleful billows from open windows;
when you no longer walk with me by the river,
by sinews of ink and willows
bending beneath the day’s weight and warmth;
when you assume the form of a silent city
no more allied to my ragged heart,

then come, let me love you,
rarefied as the Viceroy tulip of the Dutch Golden Age
that, weakened by cultivation,
had grown more agreeable in florists’ eyes,
petals paler, smaller, more diversified in hue.
An infected bloom, said to be “broken,” added to its allure.

 
E. Louise Beach

E. Louise Beach is a lyric poet, critic, translator, and librettist.  Recently, she has been published in Barrow Street, Many Mountains Moving, Rosebud, and The Bitter Oleander, among others. Finishing Line Press is the publisher of her two chapbooks:  Blue Skies (2006) and Sine nomine (2011).  Three of Louise’s song cycles will be performed next year at various venues, including the Women in Music Festival at the Eastman School of Music.

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Old Bitch and Bone

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Ophelia’s Flowers