Issue 138
Summer & Fall 2010
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Welcome to the debut issue of TriQuarterly Online. After a distinguished history as an international literary magazine, this university-sponsored print journal, which has been edited by Charles Newman, Elliott Anderson, Reginald Gibbons, and Susan Hahn, now launches in electronic form. You'll find outstanding new fiction, creative nonfiction, poetry, and drama, plus book reviews, interviews, commentary, and a lively blog. The electronic format also allows us to present work from TriQuarterly's extensive print archives. We hope you enjoy this new form of what has been one of the premier literary journals of the nation, and we look forward to receiving your comments and responses on our blog.
Faculty Advisers: Gina Frangello, Susan Harris
Managing Editor: Cheryl Reed
Technical Adviser: Matt Wood
Copy Editor: A. C. Parker
Staff: Charles Berret, Danielle Burhop, Aaron DeLee, Tedd Hawks, Julianne Hill, Sarah Jenkins, Mimi Nguyen, Dana Norris, Hana Park, Lana Rakhman, Ankur Thakkar, Stephanie Tran, Gina Vozenilek, Jeremy Wilson, Whitney Youngs, Nate Zoba
The Village
She had only had her driver’s license two weeks when she totaled the family car. Darcy’s father had to rouse a neighbor in order to borrow a vehicle to come retrieve her from the scene of the accident. Her best friend, Lydia, had been taken away by ambulance.
Five Shorts
What Hair Does
“I’d trust Jane with a pair of scissors . . .” I was cross-legged on the vanity bench aiming to slingshot my mother with a garter belt.
She looked up from the sewing machine and peered over the top of her bifocals. She had on a stretched-out, once-white bra, and a dainty roll of pale freckled skin lopped over the waistband of her half-slip. “You’d let anyone with a rusty kitchen knife and a DustBuster at your hair! Thank god those bangs have grown out.”
The Revised Fundamentals of Caregiving
Fingers
My Piper will break your heart with her new gap-toothed smile, and her flapper haircut, and her tiny bitten fingernails. When you see my Piper in front of the Toasted Oats, spindly-legged beneath her summer dress and her red rubber boots, her brow crinkled in concentration as she runs her nimble fingers up and down the grocery list, you will want to gather her up in your arms.
Homo Sapiens
Homo sapiens have 78 organs. Homo sapiens have 660 skeletal muscles, 206 distinct bones, and 50 trillion cells. Homo sapiens have human skeletons. Homo sapiens reproduce internally through sexual intercourse. Homo sapiens have a head, a neck, a torso, two arms, and two legs.
Objectless Fragments
I bent coins with my teeth, and they broke. That’s what currency can’t reconcile, green stacks and time, its escapements, the gleaming plates, the missing letter. A bicycle comes down from the attic in time but in time for what? Love spun in the mouth?
Subject Molt
You are sprung from the angle of inner event
and rise through the hydraulics of ventricles
like a birdcall in a storm drain
The Sound Weapon
Ahead of the vegetable cart a horse drops
a hoof on paving stones, the clop equivalent
to a gunshot and a hooker
in Prospect Heights in the guise
of a Civil War widow has a heart attack.
Late Light Day Dark
In the equinoctial bargain
between dark and light late
in the day she pauses
and, sitting on him,
listens to the storm
In Her Seventh Decade the Priestess of the Dreams
“The news from everywhere’s a gone bad deal
And the Priestess of the Dreams says
It ain’t kabuki Babe, they’re losing it for real…”
Prothalamion Beginning in Turku Finland...
Here in Finland they say Yatkuu Yatkuu
Keep on Truckin’
Yatkuu Yatkuu whatcha gonna do…
The news from everywhere is weird to bad
Yatkuu Yatkuu whatcha gonna do…
The Scarf Dancers
When I was a girl I collected Hummel figurines, troll dolls, and the Madame Alexander dolls, a hobby with a significant sticker price range. At every major holiday a relative could take her pick, buy something low end or go berserk, depending on her circumstances—my gift to them, the easy child to shop for. No judgment from me.
Santa Fe, Her Afghan Night
Light hesitates to fix, to position itself
between night’s huge twin mammaries
spewing their milk across our universe
and crusts and ridges of our desert roads.
from Homeric Turns
The sodium streetlights down the avenue
Were vague globes where the dark turned orange,
And the orange dark. The avenue deserted,
The buildings all abandoned, or soon to be,
I drove, I can’t remember where, or when,
Vincent Van Gogh, Self-Portrait
“I suffer from vertigo”
— Vincent Van Gogh, 1888
I recognize the look: neck tucked and still,
shoulders hunched, back rounded into a shell,
and the eyes held level as the world swirls
The Skeleton Key
I came across a house inside out.
I walked through all the walls of the rooms.
In bed, I found a black-bearded man
with jasper eyes, his neck in a noose.
Reading Wanda Coleman on the California Zephyr
her sweet bebop a backdrop to floating white silos
out the window, hoodoo ghosts on the Osceola stop.
Past the old car graveyard, then an orchard, dirt road/
black cow/black cow/how do we get around?
So much country, how do we even know where to go?
Four Poems from Worm-Eaten Light
Translated from the Czech by Deborah Garfinkle
By the tracks, a dog
climbs into the rabbit’s skin. Frost
lifts the countryside with the chain pump’s
snapping, the countryside