Upper Shoals, Glendale, SC

4/29/24

A school of polliwogs scatters at my footfall. fry 
peck at algae, shimmer when their scales catch light.

Each rivulet sounds out its own moody articulation 
against the coursing melody—rush of creek water 

through a man-made chute blasted into sedimentary 
rock decades ago, to power the iron mill that likely

stood on the bank on the other side. I close 
my eyes and hear the waterwheel churn, clank 

of ironworks. I’ve abandoned my wife again
for poetry, for extended silence that isn’t 

silence after all but only strangeness. Like Frost’s
apple farmer, I can’t rub it from my eyes. I can’t 

take in what’s right in front of me until I leave.
Then, I see it so clearly it scores me like the razor 

Danny uses for projects, the one he’s used sometimes 
to lacerate himself. An ant picks its way past, carrying 

her dead sister back to the colony. Our troubled son, 
twenty-one now, would enjoy this place for as long as 

his attention span might endure. Love, I hate myself, 
hours between us, this wretched quiet. Ruthless,

I stepped out under an embarrassment of stars last night,
pictured your sweet, lined face but then the sleek black 

bass patrolling the mill pond’s murky water, rising quickly
like a blade toward some small disturbance at the surface.

John Hoppenthaler

John Hoppenthaler’s books of poetry are Night Wing Over Metropolitan Area, Domestic Garden, Anticipate the Coming Reservoir, and Lives of Water, all with Carnegie Mellon UP. With Kazim, Ali, he has co-edited a volume of essays on the poetry of Jean Valentine, This-World Company (U of Michigan P). His poetry and essays appear in Ploughshares, Virginia Quarterly Review, New York Magazine, Southern Review, Poetry Northwest, McSweeney’s Internet Tendency, Southeast Review, Blackbird, Southern Humanities Review, and many other journals, anthologies, and textbooks. He is a Professor of Creative Writing and Literature at East Carolina University.

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