Emerson’s House

We had trundled into Concord after a long drive from New Hampshire, and after a tour of the museum, some victuals and ale at a local tavern, and a frantic tour of Walden Pond, I went by myself to Emerson’s house while everyone else traipsed among the tombstones at Sleepy Hollow. The house was closed for tours, so I circled it and marveled at its white frame with black shutters, offset by a cerulean sky dappled with wisps of cotton-candy clouds.  At the back, by the barn, I saw Emerson himself tending to a horse and stood transfixed. My first thought was, My, what a regal nose! Despite his labors, not a drop of sweat collected on his brow or stained his overalls. I could hear high-pitched howls and a rattle like a skeleton collapsing on itself. He turned to look at me, smiling, and pointed to the sky. There was a great transparent eyeball whirling like a plasma lamp, crackling with energy, gathering in its purview the cloud wisps and sky, Concord tinted in its summer foliage and America beyond. 

 
Vikram Masson

Vikram Masson writes at the intersection of faith, identity and culture. His work has been featured or is forthcoming in Gone Lawn, Glass, Juked, Rust + Moth and Without a Doubt: poems illuminating faith (NYQ Books). He has a forthcoming chapbook with Kelsay Books.

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The Hungry