Paths from The First Car

Half-lit by cars, we flick cigarettes
            in the parking lot. You point to spokes
& spin them, open the hood, & I see
            my father there. Shoulder chipped memory.
You turned the engine on: Turbocharge,
            you say. O’Reilly’s. Back to a slick floored
garage. We’re under the car passing tools
            as father & son. He’d say it takes a little
grease & elbow. We keep wiping the hood down.
            He tells me to hand him the tray.
Oil pools between us. We keep standing there,
            ash & beer swished in our mouths, waiting
to spit under the moon’s head. Halogen
            glow of the driveway, I remember what
I once was—like a moth drawn to my father’s breath.
            Some symphony of silence between us. We shared
blood. Small boy me looked & wondered—what does it take
            to jump start the drive, to have fingers so callous
they still know how to hug tight to the shoulder
            of a road so familiar, it hurts. This hometown thorn.
How do I stay the course & follow the right instruction?
            Check your fluids, he’d say. Check the tire pressure, he’d tap.
Thud. Tension. At any moment, a blowout. A swerve off
            the ready-made path. I wrestle with doing what’s right often:
following direction. Mine. Some desire to know the machine.
            Its torque & fuel. Its every dent, a cause for doubt.
I’m not the passenger anymore. You asked me
            what do I know about engines?
I think of the one I drive—this traveled body.
            How I taught myself which bolts to tighten
so I don’t sit sobbing when the tires
go loose & question
            where did I go wrong?

 
Sebastián Hasani Páramo

Sebastián Hasani Páramo is a CantoMundo Fellow and his work has recently appeared or is forthcoming in Missouri Review, Blackbird, Kenyon Review Online, Cosmonauts Avenue, among others. He is the founding editor of THE BOILER. He has received scholarships and awards from Sewanee Writers’ Conference, Bread Loaf Writers’ Conference, and the Vermont Studio Center. He recently completed his PhD from the University of North Texas in English and Creative Writing and will be the 2021 Jesse H. Jones Fellow through the Dobie Paisano Fellowship Program, sponsored by the University of Texas at Austin and the Texas Institute of Letters.

Author photo by Paxton Maroney.

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Abandoned Truck in a Field