Portrait of Woman with Wings in Oil

I speak in shapes of meaning 
and I am just a woman 
with half a life lived, or more.  

Which anointed grass, 
which sorcery of waters do I beseech 
through this charcoal map of lines?  

Am I not a marionette 
lamenting her strings? This pull and tug 
is a kind of déjà vu.  

I have been here before
in another body, under another headless night. 
Or perhaps  

it is all the same night, the same night 
tethering the tongues of my great-grandmothers 
and their mothers. 

That these shapes I make are tending 
the kindle of battle. 

That I am, in the act of speaking, 
still speaking against, 
is why we have not moved beyond 
plague and pestilence, why we have not earned 
the post dash of suffering.  

It is why the permafrost is melting 
and our defense is the movement of slugs.

What desolation of life will rise when the ice has melted? 
What dance will entertain us before the burning? 
What trick of light will mesmerize us first?

 
Jamaica Baldwin

Jamaica Baldwin’s work has appeared, or is forthcoming, in Prairie Schooner, Rattle, Third Coast Review, Birdfeast, and Hayden’s Ferry among others. She was recently named winner of the 2019 San Miguel de Allende Writers Conference Contest in Poetry and is also the recipient of Hedgebrook and Vermont Studio Center residencies. Jamaica received her MFA from Pacific University Oregon and currently lives in Lincoln, NE where she is pursuing her PhD in Creative Writing at the University of Nebraska.

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The Labyrinth