Airlifted in to Do a Poetry Gig, I Stumble over My Midwestern Roots

If you were a town like a belly button ring, stapled into the midriff
of the country, would you style yourself Fort? I’m walking in Fort

Wayne (“great place to raise kids”), just in from O’Hare, no snow
on the ground, whose gate agents giggled on a February Wednesday,

black ash blooms upbraiding the late winter pallor of midwestern foreheads. 
Fort! Fort! Repentance! Property! Always the German business, out here.

I’m cruising past lawnless mansions’ porch-stigmata: cheap mailbox clusters,
rust-barbecues. That mutton-chop whisker affect of turreted brick

cobbled into awkward apartments. Fort! Fort! (In German: Gone! Gone!)
Dark nurses smoke heroically outside the hospital service entrance.

A temple of betterment ringed by parking lots, the state school has taken 
for its totem frisky Don the Mastodon. O outskirts nonsensically 

allergic to sidewalks! O office caves whose walls salute the eyes of Sufi saints! 
O students of Consumer and Family Sciences! Surrealists spade the soil 

of posttraumatic poetry; ex–nuclear safety engineers embed
in Rhetoric and Composition Studies. 
                                                              And all of it’s the story of my life. 

Between river-wreck and dire motorway, a pioneering hovel squats, 
prescriptively preserved. I think it’s shaped like imagination’s coffin. 

At dinner, we recall fifties Shriners, grinning white guys in fezzes. 
Old Deutsch-taint Chicago, scourged and sundered 

after the famous fire.  A chatty waitress worries about the soup.
“Why only serve beef barley, chicken noodle? It’s Lent, after all.” Lonely,

but she doesn’t like to think. “I won’t watch the news. They only show the bad 
stuff. You know what I’d rather look at on TV? America’s Favorite Comedy Videos.” 

Always the German business.       Faithful-awful.                Chipper-drear. 
My country.                      Its meat declensions.                   Concourse pieties. 

Troops.       Jesus.       Jobs.       Fucking.        Wasted.        God.        Bless. 
Fort!      Fort!              Flinging it all away                Rustbelting out a song 

A mighty fortress is petroleum. 
                                                            
I’m walking where the nothing 

is something of mine               (I almost said the belly of the beast)
(more like the belly of the bride               refined to uterine prolapse vistas)

under a sky like gristle on the pot roasts of childhood

 
Jan Clausen

Jan Clausen is a poet, fiction writer, and essayist whose books include the novels Sinking, Stealing and The Prosperine Papers; the poetry collections From a Glass House and If You Like Difficulty; and a hybrid text, Veiled Spill: A Sequence. Her memoir Apples and Oranges: My Journey through Sexual Identity was recently reissued by Seven Stories Press. Her reviews and literary journalism have appeared in Boston Review, Ms., The Nation, Women’s Review of Books, and Jacobin, among others.  She has taught creative writing at Eugene Lang College and New York University, and is on the faculty of the MFA in Creative Writing Program at Goddard College.  

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