Self-Portrait in Green with Collateral Damage and Eucharist

after Saint Hildegard of Bingen 

The truly holy person welcomes all 
that is earthly, the cut worm and the dirt
in the wound, the tripped land mine and the field
exploding into limitless orange light.

You might spend your whole life looking for God
in the cracked spine of a Russian novel,
in the plié before the twirl of a grief,
in the sound of splitting wood and sunrise. 

You would be wrong to think that the soul coils
within the body; rather, the body
glides within the soul. If you reach your hands
outside the window of the self, you might 

touch it with the tip of your ring finger,
leave the whorl of a cosmos with your print.
Someone’s chanting from the darkest corner
of the monastery inside your chest.

Open the tabernacle door, sister:
you are the marrow, you are the music
inside the bone, you are a tree growing
through the eye socket of the first man’s skull.

 
Dante Di Stefano

Dante Di Stefano is the author of two poetry collections: Love Is a Stone Endlessly in Flight (Brighthorse Books, 2016) and Ill Angels (Etruscan Press, 2019). His poetry, essays, and reviews have appeared in The Los Angeles Review, Prairie Schooner, The Sewanee Review, and elsewhere. He is the poetry editor for the Dialogist. Along with María Isabel Álvarez , he is the co-editor of the anthology, Misrepresented People: Poetic Responses to Trump's America (NYQ Books, 2018).

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