Augury

I’m close to certain with my choice of pigeon—this one—
under the bridge returning from the Walgreens

where I bought the pill. Its head bulges
with a legacy of green and white

feathers; magnanimous wings that decide not
to fly, its mind alright with crumbs, the hope of men 

doing right, rather than whatever men take it upon themselves to do— 
whatever they want, walk at night—the skyscrapers 

long along the distance. What to do 
or what there is to do or whether doing

is good—I remember being told I should never touch 
a baby bird in its nest. That afterwards, 

the mother would rather let her children starve.
It isn’t true. But how many eggs

has the fantasy kept safe,
how many feathers made elegant, my hands clean and far away

to fold snowflakes or cranes? Whatever I like. 
Card towers. Circles of light

across the street. You ought to be able to see through it all.
I wonder what is the sound of this silence

without my silence. My pigeon flies
to a place I can’t follow. I have no idea what to do.

 
Keith S. Wilson

Keith S. Wilson is an Affrilachian Poet, Cave Canem fellow, and graduate of the Callaloo Creative Writing Workshop. He has received three scholarships from Bread Loaf as well as scholarships from MacDowell, UCross, Millay Colony, and the Vermont Studio Center, among others. Keith serves as Assistant Poetry Editor at Four Way Review and Digital Media Editor at Obsidian.

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