archival

after Monica Youn

when my grandfather speaks from the couch
the iPhone screen is reeling forward
its pixelations smooth nearly as flesh

when he stops speaking
the image has halted between
the movement of his arm    and his arm.

by outsourcing the work of story-keeping
to my digital handheld device
I forfeit what silences?

I forfeit what grandmother’s hands
in motion in the next room,
moving constantly to rearrange

things that are not words
into more comfortable seats
for these involuted breaths.

every telling is born with its
twin opposite, a not-telling,
apocryphal maybe, although

anything can be not caught on camera
anything can be not held in the
electromagnetic field of a palm
any sweet urging can sit down
any old place

like the rats the movers found, months later,
gnawed into the back of the couch,
their nest previously unknown, unseen,
their keening senseless,
a babble I didn’t hear
and wouldn’t repeat.

who could have heard those
tiny rodent hearts when they
settled in? pumping blood
all the same, adamant as
the pulse that impels my
thumb to press pause.

 
Irène Mathieu

Irène Mathieu is a pediatrician, writer, and public health researcher. She is author of the book orogeny (Trembling Pillow Press, 2017), which won the 2016 winner of the Bob Kaufman Book Prize, and poetry chapbook the galaxy of origins (dancing girl press & studio, 2014). She has won Yemassee Journal's Poetry Prize and received Honorable Mention and Editor's Choice awards in the Sandy Crimmins National Poetry contest. A Fulbright and Callaloo fellow, Irène is a poetry book reviewer for Muzzle Magazine and an editor for the Journal of General Internal Medicine's humanities section. She is on the speakers' bureau for Jack Jones Literary Arts.

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Where I Once Spoke Piano, I Now Speak

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In Any Given Direction