Still, Life: Abandoned Tata Motors Plant, Singur, 2010

Whenever it appears to the [appropriate government] that land in any
locality is needed for any public purpose [or for a company]...
Thereupon it shall be lawful...to enter upon...any land in such locality;
to dig or bore into the sub-soil; to do all other acts necessary to
ascertain whether the land is adapted for such purpose; to set out the
boundaries of the land purposed to be taken...;...to cut down and clear
away any part of any standing crop, fence or jungle...

--Land Acquisition Act, 1894

We could call it something clever like,
GOOD FENCES DON'T ALWAYS MAKE GOOD NEIGHBORS:

the sun--a full hot circle caught
between these last decaying teeth.  These latest ruins.

We keep tripping over knots
of brittle grass.

Piles of ash (displaced
dunes) suffocate the fields.  They harvest

bricks from the unfinished factory wall for 10 paise a piece.
The gaps make first-rate apertures for framing.

An old man carrying eight bricks
on his head turns to tell me, Take your

photos well, babu.  Let them see.
The hired guard deserts his post,

squatting in uniform with the local men, in the local posture.
Evening light trespasses the perimeter.

 
Shayok Misha Chowdhury

Shayok Misha Chowdhury is a queer Bengali poet, playwright, director, and vocalist based in New York City. A Kundiman Fellow and recipient of awards from Fulbright and the Provincetown Fine Arts Workcenter, Misha's poetry has been published in The Cincinnati Review, Hayden's Ferry Review, Portland Review, Asian American Literary Review, Lantern Review, and elsewhere. He is co-founder of the performance collaborative, The Lonely Painter Project, and his work has been or is being developed at Ars Nova, New York Theatre Workshop, SPACE on Ryder Farm, HERE Arts Center, New York Musical Festival, the Hemispheric Institute of Performance and Politics, and the CATWALK institute. Misha has co-authored four musicals with composer Laura Grill Jaye and was a soloist on the Grammy-winning album Calling All Dawns. He has been a visiting artist at Stanford, Fordham, and Syracuse, and is currently a New York Theatre Workshop 2050 Fellow and the Levitt Artist-in-Residence at Williams College. www.shayokmishachowdhury.com

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Orpheus in the Lost Amphitheater

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Litany for Permission