Issue 152
Summer & Fall 2017
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Welcome to TriQuarterly 152. We open with three video essays selected by our guest curator, Sarah Minor, exploring how fragments reveal stories from the space of which they were part. In Annelyse Gelman's "Body with No Windows," fragmented images suggest viewing one's own story through glimpses of another's. This idea is explored further in Miranda Schmidt's "Skin," where a son views his mother as a mythological creature and sees his life in that framework. Essayist Deborah Siegel looks at the mother-child relationship from the other perspective in "Thirteen Ways of Looking at Boy/Girl Twins," and poet Alison C. Rollins takes yet another visual approach in "Develop the Negatives." Furthermore, Driss Ksikes portrays a character who performs a monologue that is fragments of familial relationships in "Fuckin' Family" while Kerry Neville looks at a father and son who pick up fragments of abandonment in "The Assassin of Bucharest." We hope you'll find that these and the other pieces here combine for a remarkable whole and a memorable issue.
Cheers,
Noelle Havens-Afolabi
Managing Editor: Noelle Havens-Afolabi
Assistant Managing Editor: Carrie Muehle
Faculty Advisor: Susan Harris
Director of Planning: Reginald Gibbons
Film Editor: Sarah Minor
Fiction Editors: Aram Mrjoian, Carrie Muehle, Marina Mularz, Stephanie Tran
Nonfiction Editor: Martha Holloway
Poetry Editor: Dane Hamann
Social Media Editor: Ankur Thakkar
Copy Editor: Lys Ann Weiss
Media Architect: Harlan Wallach
Technical Advisors: Alex Miner, Rodolfo Vieira, Nick Gertonson
Staff: Aaron DeLee, Adam Lizakowski, Ahsan Awan, Andrea Garcia, Bonnie Etherington, Caitlin Sellnow, Dan Fliegel, Devin O'Shea, Emily Barton, Hillary Pelan, James Berg, Jen Lawrence, Jennifer Companik, Katie Hartsock, Michi Smith, Marla Weeg, Megan Sullivan, Molly Sprayregen, Myra Thompson, Nathan Renie, Pascale Bishop, Paula Root, Sara Connell, Tara Stringfellow.
Image from It is an Intensely Private Experience
The Assassin of Bucharest
Powell sat on a bench beneath a linden at Cişmigiu Park watching an old man having a sponge bath in the artificial lake. Bucharest. How clean could the water be?
Fuckin' Family
Translated from the French by Matthew Brauer.
For a long time, family seemed to me to be a vast territory.
This is the first line that I ever spoke on stage. I have been working on this monologue—and preparing myself to deliver it—for a long time. The memory zone is lit up. Silence.
Kong’s Dream
Most nights, the monster movie memorabilia collector reads stories to Kong and the other creatures, as though ushering them to sleep. Not that they can tell night from day in the collector’s basement; there are no windows to let in the sun’s rays.
You, Me, She
I know how to tell you this now.
The day I went back to Philly was not a real day. It was Feb 29th, and if I’d taken my road trip one year earlier or later, the time would not have existed. This—plus the unchanging drizzle, and the giant sorrowful face of Edgar Allan Poe painted on the side of a building—gave the day its other-worldly feel.
False Fronts
The recreational vehicles came over the roads and into the desert, raising dust straight down the country as the crow flies—tent campers, travel trailers, toy haulers, fifth wheels, and motor homes. The men and women at the wheels, old-timers in seersucker trousers or khaki shorts, in their mouths dentures, cavities, and rot, and in their toiletry kits a diminishing stash of off-brand meds, orange bottles with white caps issuing a desperate, near-empty rattle.
The Invitation
The invitation arrived in the mail:
Dear M,
You are cordially invited to a reception being held in your honor on Tuesday, October 7 at 7:00 PM. Please RSVP by the end of today.
Yours Truly,
The People You’ve Wronged
Subtle Is the Lord
In the Realm of the Five Senses what does desire attach to?
The wildness of the heart increases in the dark.
The absence of God only makes it wilder.
We lie in bed wearing bird suits. We sing.
Last Night I Dreamed I Made Myself
your paperweight. This seems
wrong. Seems like a sign that I need
to spend more time on my own, so I
The Boys Work on a To-Scale Replica Miniature Model of Robinson Jeffers’s Castle
Tor House and Hawk Tower
on Aaron’s mother’s den floor
and the boys can’t figure how
Spamalot! New York City: August 31, 2005
Searchlight greets the audience like a hot yellow hand: love and law
partners, Catholic girls in mustard uniform, their chaperones curling
Playbills to binoculars. When illumination finds a politician in your section
Orpheus in the Lost Amphitheater
When I emerged, it was dusk & I learned that this too is hell,
an afterlife, the center of a lost amphitheater whose seats
are a deep moss, wet-black with yesterday’s rain. As I faced west,
the sun, obscured by the pines, shone in the gaps, pulsed
Still, Life: Abandoned Tata Motors Plant, Singur, 2010
Whenever it appears to the [appropriate government] that land in any
locality is needed for any public purpose [or for a company]...
Thereupon it shall be lawful...to enter upon...any land in such locality;
to dig or bore into the sub-soil; to do all other acts necessary to
A Rock Trying to Stand
Ekphrasis after photograph bearing caption “The body of Big Foot, a chief of the
Miniconjou Sioux, lies frozen in the snow that covered the bloody battlefield at
Wounded Knee on September 29, 1890”