Still Life with Small Objects of Perfect Choking Size

Artwork by Erica Harney


Nothing so obvious as a gumball,
a coin. Instead, the cap

to the chapstick, or, somehow,
the moon: Lips parted, tongue

still, the tiny blackness
of her mouth’s small pit

just large enough to slip
that lunar white marble inside—

blind cat’s eye, milky stone.
Why does she want to take

herself from me? Somewhere
in the past I’m a girl

doing a cartwheel for the last time—
feet in the air, spin of a body

propelling itself upside down,
the whole world turning while

I turn. No one knows
it’s the last time, only I do.

Don’t be so eager, I want to say
to us. In the August singularity,

the world tilts on its axis,
and our days slide into darkness—

one thing beginning, another ending,
everything undone from within.

 
Keetje Kuipers

Keetje Kuipers has been a Wallace Stegner Fellow at Stanford University, the Emerging Writer Lecturer at Gettysburg College, and a Bread Loaf Fellow. A recipient of the Pushcart Prize, her poems have appeared in such publications as American Poetry Review, Orion, West Branch, and Prairie Schooner. In 2007 Keetje completed her tenure as the Margery Davis Boyden Wilderness Writing Resident, which provided her with seven months of solitude in Oregon's Rogue River Valley. She used her time there to complete work on her first book, Beautiful in the Mouth, which was awarded the 2009 A. Poulin, Jr. Poetry Prize and was published by BOA Editions. Her second book, The Keys to the Jail, was published by BOA Editions in 2014. Keetje Kuipers is an Assistant Professor at Auburn University where she is Editor of Southern Humanities Review.

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