Collected Stories

The scent of these armpits aroma finer than prayer

                                            —Walt Whitman

After a day of walking through sun-clutched Virginia, you unlatch
    your wool coat and hang it from the ladder. The sleeves of your
    blue Oxford rolled back from your wrists.
You yawn and beneath your arms, round stains—dark and greener,
    as if rubbed with grass. Bitter-smelling, orange and lunchmeat,
the locomotive power of deodorant hurrying after!
And in the night when someone is fucking next door, we close our
    ears with foam. You fall asleep within minutes. But I carry the
    night around in my mouth awhile, like dog who has hunted
    down a bird.
I know your body is a basin.
That after midnight your creases dampen and unleash the waters of
the earth. The oceans, the creeks and channels, the vernal pools!
    Block Island Sound, Lakes Barkley and Vattern! The
    Greenland Sea, the Prut River and the Fish, the Red, the
    James, the Drake! The Strait of Otranto, of Malacca, of
    Magellan . . .
I put my hand in the shallow bowl of your back and wash the
    wrinkles from my finger.
Some nights I imagine myself a sailor wearing my skin and salt
    together. This diving suit. I carry a lantern, its flame not of fire
    but burning ice.
Contained in your sweat a band of sea nettles and jellyfish the
    color of the moon. An octopus waiting in its den, whole
    schools of angelfish finning closer!
Sleet hurries its way across the skylight until the glass ends.
    Something is out there swallowing ships and I welcome it.
    Take every part of me away! I give you these my lungs. My
    longest bones, my teeth which I have worn down only with
    thinking.
I find your shoulder under the blanket. I lift it up and swim inside.

 
Sarah Crossland

Sarah Crossland likes to write poems about dead people, holiness, roller coasters, and love. The recipient of the 2012 Boston Review Poetry Prize, she was invited to read at the Library of Congress in the spring of 2011, and her manuscript God Factory was a finalist in the 2012 Milkweed Editions Lindquist and Vennum Prize. In her spare time, she plays the harp and teaches at Oakhill Correctional Institute. Someday she hopes to keep bees.

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