Issue 139
Winter & Spring 2011
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Welcome to the second issue of TriQuarterly Online. In the months since we launched, we've attracted an enthusiastic audience from around the world, and can boast visitors from over a hundred countries on six continents. In this and every issue you'll find outstanding new fiction, creative nonfiction, and poetry, plus book reviews, interviews, commentary, and a lively blog. The electronic format also allows us to present work from TriQuarterly's extensive print archives. We look forward to receiving your comments and responses at triquarterlyonline@northwestern.edu.
Managing Editor: Dana Norris
Faculty Advisor: Susan Harris
Technical Advisor: Matt Wood
Copy Editor: Ruth Goring
Graduate Fellow: Ari Bookman
Book Review Editor: Charles Berret
Fiction Editors:Danielle Burhop, Tien (Mimi) Nguyen, Ankur Thakkar, Stephanie Tran
Nonfiction Editors:Charles Berret, Sarah Hollenbeck, Dana Norris
Poetry Editors: Aaron DeLee, Lana Rakhman
Staff: Emily Ayshford, Alex Bergstrom, Allison Bletnitsky, Alana Buckbee, Jen Companik, Katherine Defliese, Schuyler Dickson, Ann Gadzikowski, Cathy Gao, Barbara Ghoshal, Dane Hamann, Noelle Havens, Tedd Hawks, Beth Herbert, Sarah Jenkins, Sarah Kalsbeek, Jen Lawrence, Kevin McFarland, Erin McNulty, Sambath Meas, Ashley Mohney, Hana Park, C. Russell Price, Vanessa Bates Ramirez, Paula Root, Misty Shelley, Virginia Smith, Leah Struass, Megan Sullivan, Matt Tzuker, Elizabeth Winkowski, Karen Zemanick
The criminal is young and impossible
There was a death in the park and the men came running after it, their legs mysterious with speed, and
circling like weather they found him hard-packed on the dirt in the clearing near the fountain. His eyes
were utensils, strict and sharp. The men upset the dry ground clockwise, heads low in disguise.
The criminal is young and invisible
I turned to the boy with the camera and asked him for his neck
but his neck was very busy and his blue hair was an advertisement
for rejection. So I kept on breathing his air like a desiccant
drawing the lines in, blowing up in a shrinking space. I was
The criminal is young and imaginary
Look at the grapefruit falling
apart he has none of his own
money and may never have been
in love the grapefruit rounding
the corner halved and unadorned
losing the train. Homebody.