Issue 138

Summer & Fall 2010

  • Welcome to the debut issue of TriQuarterly Online. After a distinguished history as an international literary magazine, this university-sponsored print journal, which has been edited by Charles Newman, Elliott Anderson, Reginald Gibbons, and Susan Hahn, now launches in electronic form. You'll find outstanding new fiction, creative nonfiction, poetry, and drama, plus book reviews, interviews, commentary, and a lively blog. The electronic format also allows us to present work from TriQuarterly's extensive print archives. We hope you enjoy this new form of what has been one of the premier literary journals of the nation, and we look forward to receiving your comments and responses on our blog.

    Faculty Advisers: Gina Frangello, Susan Harris
    Managing Editor: Cheryl Reed
    Technical Adviser: Matt Wood
    Copy Editor: A. C. Parker
    Staff: Charles Berret, Danielle Burhop, Aaron DeLee, Tedd Hawks, Julianne Hill, Sarah Jenkins, Mimi Nguyen, Dana Norris, Hana Park, Lana Rakhman, Ankur Thakkar, Stephanie Tran, Gina Vozenilek, Jeremy Wilson, Whitney Youngs, Nate Zoba

Poetry Emily Beyer Poetry Emily Beyer

Day Trip

Forest Service Road on 6 didn’t come up.

You and I quiet, grown up together,

no questions to ask each other. We turned

on what we thought might work, a brown dirt wick

to the trees. I thought of the Cascade Trail,

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Poetry Jan Beatty Poetry Jan Beatty

Reading Wanda Coleman on the California Zephyr

her sweet bebop a backdrop to floating white silos

out the window, hoodoo ghosts on the Osceola stop.

Past the old car graveyard, then an orchard, dirt road/

black cow/black cow/how do we get around?

So much country, how do we even know where to go?

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Poetry Heather Dobbins-Combs Poetry Heather Dobbins-Combs

Clay

O maker of paper and dams

formed after minerals of time,

teach me to adjust to this bed,

varved histories and sensitivities.

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Poetry Heather Dobbins-Combs Poetry Heather Dobbins-Combs

Magnetism

If we pull together, there’s harmony.

If alone, I breathe in. Pull a deep draft of liquor.

After-supper lure to bother with window blinds—

a string is all that’s needed for privacy for lovers, but do

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Poetry Molly Tenenbaum Poetry Molly Tenenbaum

Next Day

The cup

in your hand

that looks like a hand

feels to your fingers

just like a cup

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Poetry Hannah Sanghee Park Poetry Hannah Sanghee Park

The Body Electric

Plot me: (x,0) (0,x) on the body

the body pumping: blood type O (one hopes) the body

processing: O (element)

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Poetry Hannah Sanghee Park Poetry Hannah Sanghee Park

X,O

Well-worn sea-eyed, that was the year of the Ox,

the year of the unknown (x), the placeholder (0)

strands of x’s and o’s placed in the impossible soft of your palms

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Poetry Hannah Sanghee Park Poetry Hannah Sanghee Park

Proofs for Spring

I.

Descending frost to freshet, vernal-laved

deluging—Had we empty hands we’d shred

delphiniums and let the petals (frayed,

depleted), hard perfume the waterbed,

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Poetry Hannah Sanghee Park Poetry Hannah Sanghee Park

Ode on Pride (In Triplicate)

turn

There is nothing to be said about it.

Streamed wind and waterspray duetting hard

against the house. These days are clipped

from someone’s fowler’s snare—that is,

with cruel abandon, rags and bones (no heart).

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Poetry Michael Anania Poetry Michael Anania

At Least

voices beyond the wall,

Spanish, probably, the cast

of morning shadows, Friday,

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