Issue 138
Summer & Fall 2010
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Welcome to the debut issue of TriQuarterly Online. After a distinguished history as an international literary magazine, this university-sponsored print journal, which has been edited by Charles Newman, Elliott Anderson, Reginald Gibbons, and Susan Hahn, now launches in electronic form. You'll find outstanding new fiction, creative nonfiction, poetry, and drama, plus book reviews, interviews, commentary, and a lively blog. The electronic format also allows us to present work from TriQuarterly's extensive print archives. We hope you enjoy this new form of what has been one of the premier literary journals of the nation, and we look forward to receiving your comments and responses on our blog.
Faculty Advisers: Gina Frangello, Susan Harris
Managing Editor: Cheryl Reed
Technical Adviser: Matt Wood
Copy Editor: A. C. Parker
Staff: Charles Berret, Danielle Burhop, Aaron DeLee, Tedd Hawks, Julianne Hill, Sarah Jenkins, Mimi Nguyen, Dana Norris, Hana Park, Lana Rakhman, Ankur Thakkar, Stephanie Tran, Gina Vozenilek, Jeremy Wilson, Whitney Youngs, Nate Zoba
Reading Wanda Coleman on the California Zephyr
her sweet bebop a backdrop to floating white silos
out the window, hoodoo ghosts on the Osceola stop.
Past the old car graveyard, then an orchard, dirt road/
black cow/black cow/how do we get around?
So much country, how do we even know where to go?
Four Poems from Worm-Eaten Light
Translated from the Czech by Deborah Garfinkle
By the tracks, a dog
climbs into the rabbit’s skin. Frost
lifts the countryside with the chain pump’s
snapping, the countryside
Banned for Life from the Artists' Colony
You want to write. You want to write.
Tonight a sharp breeze from the river
or elsewhere. The trains run later
than expected, column of low whistle parting
clouds, and this new place is on a flight path
The Body Electric
Plot me: (x,0) (0,x) on the body
the body pumping: blood type O (one hopes) the body
processing: O (element)
Proofs for Spring
I.
Descending frost to freshet, vernal-laved
deluging—Had we empty hands we’d shred
delphiniums and let the petals (frayed,
depleted), hard perfume the waterbed,
Ode on Pride (In Triplicate)
turn
There is nothing to be said about it.
Streamed wind and waterspray duetting hard
against the house. These days are clipped
from someone’s fowler’s snare—that is,
with cruel abandon, rags and bones (no heart).