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How do you decide on your book's structure? Elyssa East found her solution in painting.

Page 13 from Issue vol6-no3

this day, although in different forms. What the nineteenth century suffered from was in part a split ...

Page 26 from Issue vol4-no1

off with stretch and twist and solemn yawn. You see me dark, and you're abruptly bright. What ...

Vigil

Philip Appleman

and twist and solemn yawn. You see me dark, and you're abruptly bright. What light is that ...

“If you write about writing then they’ll just think you’re in love with yourself.” Kristopher Jansma

We aim to digitize the entire print history of TriQuarterly and make it available to our readers. For free. Spread the good word.

"I’m suggesting that readers of personal essays experience a multidimensional “I” who is simultaneously character, narrator, and author in this same way—as different roles or stages of a single person." New craft essay by Lad Tobin

Emily Gould's top fall reads includes Shelly Oria's newest collection. Read one of its stories, "The Disneyland of Albany," in TriQuarterly 146: https://www.triquarterly.org/issues/issue-146/disneyland-albany

"Maybe they had you read Paradise Lost or Howl. OK, I’ve got this thing about money, wanting lots of it -- no, all..." Read "Moloch Tells All" by the current Poet Laureate of Missouri, William Trowbridge.

Page 41 from Issue vol1-no3

"Ma?" "What is it, Davey?" "Ya got a new dress." There was silence ...

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