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Telemachus: A Trilogy

Reynolds Dodson

had sounded his presence loudly for fear of what an unexpected entrance might find. The room was ...

“Would it be naive to think that artists could simply make stuff and then their audiences could just experience that stuff, unfettered?”

"Many unreliable narrators are deliberately lying, but others just misread their world with varying degrees of fallibility. Some are too naive, some too full of themselves. Some are going mad, some are in denial, some are jokesters. The list goes on."

Issue 146 contributors Ocean Vuong and Benjamin Goldberg have been selected for Best New Poets 2014! Read their poems here: http://bit.ly/WLEFgH

A review of three contemporary poets who may count Wallace Stevens and William Carlos Williams as their literary ancestors.

A part of Gillian Flynn's success in "Gone Girl" is that the two main characters are dueling unreliable narrators.

In this five-part TriQuarterly series, writers brainstorm creative ways for writers to make themselves unreliable narrators—with playful, conflicted, and imaginative results.

"Am I willing to strip down? All the way? To show everything? Or am I not only too encumbered, too fleshy, too flawed, but also too vain? Too devoted to “voice”?" Part two of our five-essay series "The Naked I: The Exposed Voice of Nonfiction."

Three poets take part in the growing dialogue between English and the languages and textures of the Middle East.

Page 32 from Issue vol2-no1

a year. He's an odd chap, I understand." Karen knew some of what it was that made people ...

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