Torrance

The Santa Anas tug at my auntie’s hair,
thirsting as land thirsts.

When her hair grasps at me, I think
how my hair could be a mirror to hers, if I let it

return. I think, does my mother’s bus route
still exist? And does my grandmother’s,

the one she took each day to the garment district
downtown? I hope to cease being a grandchild

who considers their grandmother’s labor
more than they consider their grandmother,

whose rough hands stitch the couch cover
as I watch, smoothing seams, swaddling its gray skin

into something soft. My grandmother, untranslated
and patient, on the bus to knit her family’s way

into a future which is right now, the future in which
I dream in subtitles in the largest possible font.

I mythmake my family in pursuit of an origin
story that does not exist. Everywhere

I place my weight a web of intricate threads
I try to trace, mistake the edges

for the center of it all—hunger, its many eyes,
its illegible mouths.

Meg Kim

Meg Kim is a writer from Southern Oregon currently based in Chicago. Her debut chapbook, Invisible Cartographies, is forthcoming with New Delta Review, and her poems are published in The Adroit Journal, Gulf Coast, and Ninth Letter, among others. You can find her online at meghaekyongkim.com.

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