At the Punjab Dhaba, Hampshire Street, Boston

When F. tells her, the querying cashier from India
about Kashmir, her cheekbones
lilt with recognition. My grandfather drove tourists

down the valley in his van. We used to buy paper 
mache gifts from there, for the family,
she effuses. 
And the shawls, do they still sell them there?

Each recollection opens a vista of hunger
for what she’s left behind—
It is a cold, November night.

The rain hammers its exodus on concrete, trees,
glass panes. An age-old craft, not easy 
to wipe out,
F. gently responds. His breath levitates

to add the word occupation, but retreats
with the tireless, hushed grace
of the erased who know better than to abrade

with anger. The cashier drones on,
each memory of Kashmir she mouths
unfurls glossed as a Bollywood flick—

with snowcapped mountains, furred
lunge of valleys, & a complete oblivion
of the soldiers who routinely strike rebels

with birdshot. The daily atrocity of each blue sky— 
Privilege, I think to console F.
later, as we skip over the tram tracks.

But the night hangs privately between trees.
And I know nothing of that gloom and quell,
its delicate balance. Nor the earnestness

that dimples the cashier’s face as she clutches
back our masala chais, yielding
my half-baked promise to return.

 
Hera Naguib

Hera Naguib holds a doctorate in creative writing from Florida State University, focusing on global and transnational poetry. Winner of the 2023 John Mackay Shaw Academy of American Poets Award and the 2022 Quaterly West Poetry Prize, her work has been published or is forthcoming in Poetry Northwest, TriQuarterly, The Academy of American Poets, New England Review, The Cincinnati Review, Wasafiri, World Literature Today and elsewhere. 

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