Out in the Fields

I was out in the fields when I saw them,
their skin a ghostly white underscored with gray,
their hair too long and swept across their faces.
They looked as if they’d lived in caves for years.

They ran across the fields, barefoot, in flight
from someone or something. Or so it seemed.

I felt scared. They held stones in each hand
like crude tools. Maybe weapons. And when one
approached, her pale eyes wild, I squared myself
to ready for the blow. But no. She faltered,
stood breathing, her eyes so frantic I asked her
what was wrong. “It’s just that we are trying  
                    to live,” she said,
“in the present moment.

          But we can’t seem to find it.”
                                        I cannot imagine
the look that flickered across my face. I appeared
credulous, I think. Maybe hopeful.
I stood silent.
                    “Wherever we are,” she continued,
“seems to have already happened.” Her voice
still quavered but was quieter now. “Like this
grass,” she said, gesturing to a bobbing tuft.
“It only shows the wind that’s already passed.”

“And what about those,” I said, nodding to her
hands. She looked down at the stones as if
she’d forgotten they were there. “This is how
we pray,” she said.
                    “This is what we’ll use to pin it down.”

 
Michael Bazzett

Michael Bazzett is the author of four books of poetry, including The Echo Chamber (Milkweed Editions, 2021), and the chapbook The Temple (Bull City, 2020). Recent work has appeared in Granta, Agni, The American Poetry Review, The Sun, The Nation, and The Paris Review, and his verse translation of the Mayan creation epic, The Popol Vuh, (Milkweed, 2018) was named one of 2018’s best books of poetry by the NY Times. The recipient of an NEA Fellowship, he lives in Minneapolis.

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The Man on the Roadside