The Art that Fails
I also love the art that fails. I love
the Shakespearean extra, doublet inset
with satin flames, loafing stage left
like an abject caddy. I love the glacier
painted out of its majesty, tamed
by careful shading, its ice become a blanket
hiding a child. I love the little sward
in the atlas, the turf at the pole
where the astronomer stands, aligning
overly cooperative stars. I love the waif
penciled into the faux finish,
gainsaying the wood-grain—that is,
the curlicue under the stain subtly
debunking the oak’s burl. And the cut-purse
weaving Cruyff turns on the police procedural—
I cannot help it: I love him, too.