1972, my mother contemplates chairman mao

21, my mother is at an age
when men love only
what is beautiful                sitting by the river, she is

reading the Little Red Book
and decides that Mao, unlike men who love

only what is beautiful, loves only

two things—
poetry
and power



(爱)
--

poetry
power

(love)

she makes a note of this
beneath Mao’s round portrait

so far, love

has little meaning
when it comes
to men

my mother has been told
her nose is flat, her skin
too dark and calloused by months
in the rice paddies

today, my mother is homesick

having received news
of her brother, thrown

from an ox cart and trampled
the letter
stamped by Mao’s red crest

her parents are miles gone in Shanghai,

they have not seen their children
since last year’s harvest

Mao instructs:

passivity is fatal

let a hundred flowers bloom

let a hundred schools of thought

contend

that night she waits until the other girls fall asleep and slips

from the farmhouse
the moon
cannot be read by, so my mother

composes a poem

telling herself

she is a farmer and does not need

to be beautiful

 
Kara Kai Wang

Kara Kai Wang is a Chinese American poet living in San Francisco. Her work has appeared or is forthcoming in Four Way Review, Ninth Letter, Best New Poets 2015, The Asian American Literary Review, Southeast Review, and elsewhere. She is a graduate of University of Oregon’s MFA program and is currently a medical student at UCSF.

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