Tenor

I sang tenor in the school choir
because the boys’ balls hadn’t

dropped, or their balls had but not
their voices. On the highest riser,

I wore an early draft of my breasts
and sang a row of notes

no other girl could reach down
and touch. I wondered how

the sopranos’ throats could pinch
round whole notes so thin,

they were near breaking
but didn’t break. It came down

to range, to the body suddenly
amplified. Parts of me cracked

and wavered, but not my voice.
I sang in the back of the choir

like a boy among boys.
I could go that low.

 
Maggie Smith

Maggie Smith is the author of Weep Up (Tupelo Press, forthcoming 2018); The Well Speaks of Its Own Poison (Tupelo Press); Lamp of the Body (Red Hen Press); and three prizewinning chapbooks. Her poems have appeared or are forthcoming in the Paris Review, Plume, Ploughshares, the Kenyon Review, the Southern Review, and elsewhere. In 2016 her poem “Good Bones” went viral internationally and has been translated into nearly a dozen languages. The recipient of fellowships from the National Endowment for the Arts, the Ohio Arts Council, and the Sustainable Arts Foundation, Smith is a freelance writer and editor. 

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