Notes on the State of Virginia, II

February, I am an open wound—woman discarded
and woman emerging. Scars devising scars.
To live here we know precisely how to be haunted.
Sundown sun, a sterile sky come running,
            sweet gallow-grass whistling; Ghosts.
All year we learn that chainsaw hymnal, outside the Lawn,
another excavation—slave quarters found concealed
in the student dorms; buried rooms choked, sounds
bricked off. Two centuries’ thorns may break sudden bloom.
What can we say? No one speaks of it. I dream pristine.
And skirting the caution-tape instead, we clasp hands
with each other in complicity.

Somewhere, the ghost-arm of history
still throttling me. This taste of old blood on the wind,
the crouched statue of Sacajawea shrouded behind the pioneers.
Creature of unbelonging, unname a new silence.
Magnolia explosion, its Leviathan shade.
           Then fall, what sick messiah. Fall, I am coughing in
the aisles again, where bare triage of voices pour molasses in
my ear. Where a bald insurrection of tongues. Then
squashed rebellion, scrutiny. Indoctrination.
To live here we know precisely how to be hunted.

 

This poem will appear in Cannibal by Safiya Sinclair and are used by permission of the University of Nebraska Press. Forthcoming fall 2016.

 
Safiya Sinclair

Safiya Sinclair was born and raised in Montego Bay, Jamaica. She is the author of Cannibal, winner of the 2015 Prairie Schooner Book Prize in Poetry (University of Nebraska Press, 2016), and the chapbook Catacombs (Argos Books, 2011). She is the recipient of a 2016 Whiting Writers’ Award, a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, a winter fellowship from the Fine Arts Work Center in Provincetown, the Amy Clampitt Residency Award, the Glenna Luschei Award from Prairie Schooner, and an Academy of American Poets Prize. Her poems have appeared or are forthcoming in Poetry, The Kenyon Review, The Nation, Boston Review, Gulf Coast, The Gettysburg Review, New England Review, and elsewhere. Sinclair received her MFA in Poetry from the University of Virginia and is currently a currently a PhD candidate in literature and creative writing at the University of Southern California. 

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Notes on the State of Virginia, IV