In practice

Cool sweeps over the streambed lip, say here & here, then, bare
ankles in hug; these intimate moments at dusk; what dissipates;
what stands in the place of gone when the jaw, in gape, remains a
restless O, & wide to tunnel inward; say incessant just beyond the
thalamus; blackness of the cat perched atop a railcar illuminates &
the long strips of day in peel—how appropriately October inside
the mind, & now too, season; all organic, all shift here; your eyes
mid-swallow of shadow & temperature knocks at the base of
your spine; how we all in in & this you now aware; of spots,
specter forms & un-forms before you—small bodies in tumble
one over other—gnats in swarm—to be a limb of need; to attach,
belong to a larger; hold your breath & say anything; hold your
breath: tiny wings in flap on your cheek, lip, in your hair;
synapses of brain; chatter beyond your ear drum; type of prayer
in flesh; say re-align; re-align in practice.

 
Felicia Zamora

Felicia Zamora is the winner of the 2015 Tomaž Šalamun Prize from Verse, and author of the chapbooks Imbibe {et alia} here (Dancing Girl Press 2016) and Moby-Dick Made Me Do It (2010). Her published works may be found or forthcoming in Bellevue Literary Review, Cimarron Review, Columbia Poetry Review, Crazyhorse, Dogwood: A Journal of Poetry and Prose, ellipsis…literature and art, Harpur Palate, Hotel Amerika, Indiana Review, Meridian, North American Review, Phoebe, Pleiades, Potomac Review, Puerto del Sol, Tarpaulin Sky Magazine, The Carolina Quarterly, The Laurel Review, The Journal, The Normal School, The Pinch Journal, Witness Magazine, and others. She is an associate poetry editor for the Colorado Review, a fall 2012 Martha’s Vineyard Writers Residency poet, and holds an MFA in Creative Writing from Colorado State University.    

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The Scream

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Fallible Roundness