Who’s Afraid of Helen of Troy

If I hear you once more say the word love, I’ll take the imaginary child, his hair gleaming on my shield, or reflected in your Subaru’s window, and present him on a platinum platter for the Cyclops to devour for the world’s amusement. This is commensurate with the nature of my powers and the natural state of a healthy relationship, not to mention the good of the polity. There is a jigger of brandy on the sideboard, if you like. And I hear a Sirk is playing at the Odeon. Most of the army has been ripped apart on the plain, and merely waits for the pyres. But a plate of sandwiches and some civil conversation would be the least one could expect after all we’ve meant to each other. Through the bluish muslin curtains, I can hear someone whisper you can see the sails on fire. Like floating fireworks, or flashes in the eye. Let’s talk about the future, or futures, life as a commodity. Let’s fall on the sword of a memory of chance. Let’s put on a record of Noel Coward. Let’s dance. 

 
David Lazar

David Lazar’s books include Occasional Desire (Nebraska), The Body of Brooklyn and Truth in Nonfiction (both Iowa), Powder Town (Pecan Grove), Michael Powell: Interviews and Conversations with M.F.K. Fisher (both Mississippi). Forthcoming are After Montaigne (Georgia) and Who’s Afraid of Helen of Troy (Etruscan Press). In 2013-14 he is curating a digital chapbook on nonfiction editing for The Conversant.org/Essay Press. Five of his essays have been “Notable Essays of the Year” according to Best American Essays. He is the founding editor of the literary magazine Hotel Amerika, now in its thirteenth year.

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The Western Uncanny

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Ictalurus Punctatus