Washing the Elephant

The river will protect you from her only so much. How can it, perched as you are on a forehead the size of a coffee table? As if washing a house with a toothbrush, as if swimming among the pyramids. What hope to deflect the powerful trunk but to stroke the animal’s scab-rough pate, to search her eye that rolls up at you from its bed of lashes, fathomless and too familiar? If largesse is what defines the elephant then for you it is the capacity to be bored. Yet aren’t you both vulnerable to sunburn and mosquitoes, suffering the attentions of those more forceful than yourselves, their desires for novelty and labor both attached to their attraction to your forms? The differences between you are obvious: her ancient, battered body which generates reverence the way your own generates scorn; her crushing, vulval mouth, her toenails big as lotus leaves. Yet, like you, she measures the world according to its reactions to her. From this, how can she not believe everything is scared? That, seeing us place her image among our other deities, we treat our gods as slaves? Meanwhile, inside her is the usual universe extending out and down, a dark that grows like a galaxy accruing new arms, gathering new meanings, stars behind stars. Only we want to be perfect. She has had to learn to withstand our love, bowing at the urgings of our knees, torn ears trailing in the river’s mud. She stands while we swim circles around her, swaying to the beat of her heart which, when you put your head under water, you can hear: that dark drum your own blood echoes; can feel as good as eternity.

 
Paisley Rekdal

Paisley Rekdal is the author of a book of essays, The Night My Mother Met Bruce Lee; a hybrid-genre photo-text memoir that combines poetry, fiction, nonfiction and photography entitled Intimate; and four books of poetry: A Crash of Rhinos, Six Girls Without Pants, The Invention of the Kaleidoscope, and Animal Eye, which was a finalist for the Kingsley Tufts Prize and winner of the UNT Rilke Prize. Her work has received the Amy Lowell Poetry Traveling Fellowship, a Village Voice Writers on the Verge Award, an NEA Fellowship, a Pushcart Prize, the University of Georgia Press’ Contemporary Poetry Series Award, a Fulbright Fellowship, inclusion in the Best American Poetry series and various state arts council awards. Her poems and essays have appeared in or are forthcoming from The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Virginia Quarterly Review, Tin House, and on National Public Radio among others. 

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