Speak, Again

Twice Friar Thomas Byles gave up a spot in the lifeboats. And so went down with the unsinkable ship   & its confessions: he led a recitation of the rosary for those kneeling in tuxedos & dresses. The slow slide.   The severe angle. Long after the ship struck the silt, the chandeliers shook themselves out   one by one. They keep finding shoes on the ocean bottom. Washed up on beaches. A wreath of shoes floating on the Danube.   Tattered bedroom slippers, children’s rain boots & sneakers are piled in the middle of Belgrade’s Knez Mihailo Street, with slips of paper   stuffed into them instead of feet, messages for the dead. A lone sneaker, a lash in the eye of the creek   in a field beyond the hospital. Dragonflies arc out of the green, wings like two halves   of a temple veil, a translucent body between them, a body you can see through. Like the missing,   here & not here, those who are gone long enough we begin to see through them. For them, the words that survive   untouched across languages: Oboe. Fragile. Aorta. A litany for someone awakened from a coma, a grain of sea salt   on her tongue. And she learns to speak again, in a new English, a new accent the doctors can’t explain.   And all this light as she surfaces, no chandelier like it, almost unbearable, so many suns.   Everyone at the hospital in their Sunday best.

 
Mark Wagenaar

Mark Wagenaar is the 2013 winner of both the James Wright Poetry Prize and the Yellowwood Poetry Prize. His debut manuscript, Voodoo Inverso, won the 2012 Pollak Prize, from the University of Wisconsin Press. His poems appear widely, most recently in Tin House, the Southeast Review, Beloit Poetry Journal, and 32 Poems. Mark lives in Denton with his wife, fellow poet Chelsea Wagenaar, where they are both doctoral fellows at the University of North Texas.

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