Kimberly Grey
Kimberly Grey lives in New York. Her poems have recently appeared in The Brooklyn Review, Linebreak, The Awl, Anti- and other journals. She teaches contemporary poetry at Adelphi University.
Works by this contributor:
Views
-
Those flaxen evangelicals, imbued with their holy ghost or some such helter-skelter mania, were surely not from Chicago, not of Sweet Home—bused in from Kansas, perchance?
-
The reasons for my discomfort became clear one September afternoon at the Minnesota State Fair pig judging contest.
-
As one student put it: “Too much liberty for me is death.”
-
In one fell swoop, this eliminates almost all the problems I’ve encountered in typical workshops.
Interviews
-
Big Sex Little Death focuses most of its pages on Bright’s complicated and sometimes painful history.
-
Ian Heames began printmaking in a sub-basement several floors beneath a library at Oxford.
-
I started writing poetry as a freshman in high school. I would buy blank notebooks as souvenirs because I found the idea of a bunch of blank pages really appealing.
-
According to Linda McCarriston, poetry exists for reasons beyond displays of linguistic or lyrical talent.
Reviews
-
Over the course of ten years, Kitchen has jotted notes about photos she found in her family’s scrapbook. She has now collected her writings into a cohesive work accompanied by approximately seventy images.
-
There is a journalistic objectivity to Quan Barry’s new collection of poems, Water Puppets. The poems linger on scenes of profound violence and inhumanity, reporting heavy truths of war, massacre, and disaster.
-
In Neighborhood Register, Marcus Jackson eloquently establishes a time and place: the American Rust Belt of his adolescence during the late twentieth century.
-
Tamura’s work relentlessly pulls us into highly charged and disturbing themes of violence, culpability, and survival.
Blog Posts
-
May 9, 2012
-
Apr 30, 2012
-
Apr 26, 2012
-
Apr 23, 2012
